Digital Cinema

  • RED WEAPON HELIUM 8K Limited Edition

    • RED WEAPON HELIUM 8K Limited Edition

      Only 50 shipped worldwide! The WEAPON® with HELIUM™ 8K S35 delivers stunning resolution and image quality—creating smooth and organic images that bring your footage to life.  At 35 Megapixels, 8K offers 17x more resolution than HD—and over 4x more than 4K. 8K resolution offers more than just incredible detail. It delivers countless possibilities for reframing, VFX (visual effects), motion stabilization, supersampling footage, and more.  The WEAPON 8K S35 combines advanced color science with incredible dynamic range.

      Features:

      • Sensor: HELIUM 35.4 Megapixel CMOS
      • Pixel Array: 8192 (h) x 4320 (v)
      • S/N Ratio: 80db
      • Dynamic Range: 16.5+ stops
      • Sensor Size: 29.90 mm x 15.77mm (33.80 mm diagonal)
      • Acquisition Formats: 8K 8192 x 4320, 7K 7168 x 3780, 6K 6144 x 324, 5K 5120 x 2700, 4K 4096 x 2160, 3K 3072 x 1620, 2K 2048 x 1080
      • Aspect Ratios: 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
      • Project Frame Rates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94, 60 fps all resolutions
      • Apple Prores: 422 HQ, 422 and 422 LT at 4K (4096 × 2160) up to 29.97 fps 4444 XQ and 4444 at 2K (2048 × 1080) up to 120 fps 422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 120 fps
      • Avid Codecs: DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
      • Delivery Formats*: 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 *FROM REDCINE-X PRO®
      • Monitor Output: HD-SDI and HDMI with Frame Guides and Look Around, 2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2, SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
      • RED MINI-MAG (SSD) Module: 120, 240, 512GB, 1TB Media
      • REDCODE™: Compression choices of 2:1 to 22:1
      • Frame Rates: 60fps @ 8k, 7k; 75fps @ 6k; 96fps @ 5k, 120fps @ 4k, 150fps @ 3k, 240fps @ 2k, 300 @ 2k *2.4:1 aspect ratio*
      • Audio: 2 channel, uncompressed, 24-bit, 48kHz. Optional 4 channel, and AES / EBU digital audio.
      • Remote Control: Integrated REDLINK WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module
      • Weight: 3.3 lbs (Body only)
      • Construction: Carbon Fiber, Magnesium, and Aluminum Alloy
      • Temperature Ranges: Operating Range: 0˚C to +40˚C (32˚F to 104˚F), Storage Range: –20˚C to +50˚C (–4˚F to 122˚F)
  • RED WEAPON HELIUM 8K

    • RED WEAPON HELIUM 8K

      WEAPON® with HELIUM™ 8K S35 delivers stunning resolution and image quality—creating smooth and organic images that bring your footage to life.  At 35 Megapixels, 8K offers 17x more resolution than HD—and over 4x more than 4K. 8K resolution offers more than just incredible detail. It delivers countless possibilities for reframing, VFX (visual effects), motion stabilization, supersampling footage, and more.  The WEAPON 8K S35 combines advanced color science with incredible dynamic range.

      Features:

      • Sensor: HELIUM 35.4 Megapixel CMOS
      • Pixel Array: 8192 (h) x 4320 (v)
      • S/N Ratio: 80db
      • Dynamic Range: 16.5+ stops
      • Sensor Size: 29.90 mm x 15.77mm (33.80 mm diagonal)
      • Acquisition Formats: 8K 8192 x 4320, 7K 7168 x 3780, 6K 6144 x 324, 5K 5120 x 2700, 4K 4096 x 2160, 3K 3072 x 1620, 2K 2048 x 1080
      • Aspect Ratios: 2:1, 2.4:1, 16:9, 14:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
      • Project Frame Rates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94, 60 fps all resolutions
      • Apple Prores: 422 HQ, 422 and 422 LT at 4K (4096 × 2160) up to 29.97 fps 4444 XQ and 4444 at 2K (2048 × 1080) up to 120 fps 422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 120 fps
      • Avid Codecs: DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
      • Delivery Formats*: 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 *FROM REDCINE-X PRO®
      • Monitor Output: HD-SDI and HDMI with Frame Guides and Look Around, 2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2, SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
      • RED MINI-MAG (SSD) Module: 120, 240, 512GB, 1TB Media
      • REDCODE™: Compression choices of 2:1 to 22:1
      • Frame Rates: 30 fps at 8K Full Format (8192 × 4320), 30 fps at 8K 2.4:1 (8192 × 3456) 30 fps at 7K Full Format (7168 × 3780), 40 fps at 7K 2.4:1 (7168 × 3024) 75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592) 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160) 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
      • Audio: 2 channel, uncompressed, 24-bit, 48kHz. Optional 4 channel, and AES / EBU digital audio.
      • Remote Control: Integrated REDLINK WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module
      • Weight: 3.3 lbs (Body only)
      • Construction: Carbon Fiber, Magnesium, and Aluminum Alloy
      • Temperature Ranges: Operating Range: 0˚C to +40˚C (32˚F to 104˚F), Storage Range: –20˚C to +50˚C (–4˚F to 122˚F)
  • RED EPIC DRAGON

    • RED EPIC DRAGON

      With the 6K RED DRAGON® sensor, you can capture over 9x more pixels than HD. Unrivaled detail and impressive native exposure eclipse 35mm film in both latitude and image density. Industry leading specs distinguish the EPIC DRAGON as a model for image innovation, helming the evolution of digital cinema technology.

      Features:

      • Sensor: 19 MEGAPIXEL RED DRAGON®
      • Pixel Array: 6144 (h) x 3160 (v)
      • S/N Ratio: 80db
      • Dynamic Range: 16.5+ stops
      • Max. Image Area: 6144 (h) x 3160 (v)
      • Lens Coverage: 30.7mm (h) x 15.8mm (v) x 34.5 mm (d)
      • Acquisition Formats: 6K RAW (2:1, 2.4:1), 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1), 4.5K RAW (2.4:1), 4K RAW (16:9, HD, 2:1 and Anamorphic 2:1), 3K RAW (16:9, 2:1 and Anamorphic 2:1), 2K RAW (16:9, 2:1 and Anamorphic 2:1), 1080p RGB (16:9), 720p RGB (16:9)
      • Project Frame Rates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
      • Delivery Formats*: 4K : DPX, TIFF, OpenEXR (REDRAY® via optional encoder), 2K : DPX, TIFF, OpenEXR (REDRAY via optional encoder), 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG, Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4 *FROM REDCINE-X PRO®
      • Program Output: HD-SDI Clean Feed, SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
      • Monitor Output: HD-SDI and HDMI with Frame Guides and Look Around, 2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2, SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
      • Digital Media REDMAG (SSD) Module: 64, 128, 256, 512GB Media
      • REDCODE™: Compression choices of 18:1 to 3:1, 12 and 16-bit RAW : Compression choices of 18:1 to 3:1, 1–100 fps 6K, 1–120 fps 5K, 4.5K, 
 1–150 fps 4K, 1–200 fps 3K, 
 1–300 fps 2K
      • Audio: 2 channel, uncompressed, 24-bit, 48kHz. Optional 4 channel, and AES / EBU digital audio.
      • Monitoring Options: RED Touch 5.0" LCD, RED PRO 7" LCD, RED Touch 7.0" LCD, RED Touch 9.0" LCD, BOMB EVF (LCOS), RED BOMB EVF (OLED)
      • Remote Control: Wireless, Ethernet, RS232, GPI Trigger
      • Weight: 5 lbs (Body only)
      • Construction: Aluminum Alloy
      • Temperature Ranges: Operating Range: 0˚C to +40˚C (32˚F to 104˚F), Storage Range: –20˚C to +50˚C (–4˚F to 122˚F)
  • ARRI ALEXA SXT EV

    • ARRI ALEXA SXT EV

      Super Xtended

      While keeping the sensor and user interface of the original ALEXA design, the capabilities of ALEXA SXT cameras have been greatly extended. Equipped with the powerful electronics and sophisticated image processing of the ALEXA 65, SXT cameras can manage more recording formats and handle more processor-intensive tasks such as calculating looks with 3D LUTs or color space conversions to Rec 2020, all in real time. Building on work done originally for the ALEXA Mini and AMIRA, the new ARRI look management and optional noise reduction help creative filmmakers get their ideas across. And last but not least, the new media bay can accept a wide range of media, as well as the new, high-performance SXR Capture Drives.

      Features:

      • Camera Type: 35 format film-style digital camera with an electronic viewfinder, a 16:9, 6:5, 4:3 or Open Gate switchable active sensor area, built-in filter holder, Lens Data System, integrated shoulder arch and receptacles for 15 mm lightweight rods
      • Sensor: 35 format ALEV III CMOS sensor with Bayer pattern color filter array.
      • Operating Modes: 16:9, 4:3, 6:5 or Open Gate sensor modes. Switching takes approx. 60 seconds. All sensor modes available in ARRIRAW and ProRes.
      • Frame Rates: 16:9 0.75 - 120 fps, 6:5 0.75 - 96 fps, 4:3 0.75 - 96 fps, Open Gate 0.75 - 90 fps, All speeds adjustable with 1/1000 fps precision. Some limitations based on recording media or recording format apply.
      • Shutter: Electronic rolling shutter, 5.0º - 358.0º up to 60 fps; 5.0° to 356° above 60 fps. Shutter angle adjustable with 1/10 degree precision.
      • Filters: Permanent filters in front of the sensor: optical low pass, UV, IR. Includes a built-in Internal Filter Module (IFM-1) filter holder that accepts one of eight Full Spectrum Neutral Density (FSND) filters through manual insertion/removal.
      • Exposure Latitude: 14+ stops for all sensitivity settings from EI 160 to EI 3200, as measured with the ARRI Dynamic Range Test Chart (DRTC).
      • White Balance: Presets for 3200 (tungsten), 4300 (fluorescent), 5600 (daylight) and 7000 (daylight cool). Automatic calculation or manual white balance for 2000 to 11000 Kelvin, adjustable in 100 K steps
      • Colour Correction: While white balance changes the red/blue hue of the image, color correction changes green/magenta. Adjustable range from -12 to +12 CC. 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values.
      • Sound Level: Under 19 db(A) while recording ProRes 4444 16:9 HD @ 24 fps and ≤ +30° Celsius (≤ +86° Fahrenheit) with lens attached and fan mode set to 'Regular', measured 1 m/3 feet in front of the lens. Silent operation at higher temperatures possible with fan mode set to 'Rec low'.
      • Power In: Three possible inputs: BAT connector, optional battery adapter back or optional battery adapter top. All inputs accept 10.5 to 34 V DC. Approx. 90 W power draw for camera and EVF-1 in typical use recording ProRes at 24 fps to an SxS PRO card at room temperature, without accessories. Initial power draw during power up is higher.
      • Power Out: 12 V connector: limited to 12 V, up to 2.2 A. RS, EXT and ETHERNET: input below 24 V is regulated up to 24 V; above 24 V: input voltage = output voltage. RS and EXT connectors combined are limited to 2.2 A. ETHERNET is limited to 1.2 A. Maximum power draw is also limited by the power source.
      • Weight: 14.3lbs / 6.5kg (with PL Mount), 17.7lbs / 8kg (with PL Mount, electronic viewfinder & cable, handle
      • Environmental: -20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing. Splash and dust proof through sealed electronics. System cooling through radiator/single fan.
      • Lens Mount: 54 mm stainless steel LDS PL mount, Super 35 centered. 52.00 mm nominal flange focal depth without FSND filters.
      • Recording Codecs: Uncompressed and unencrypted ARRIRAW or compressed and unencrypted QuickTime/ProRes recording. All formats include embedded audio, timecode and metadata.
      • Recording Media: SxS PRO or SxS PRO+ cards (requires SxS Adapter 2), CFast 2.0 cards (requires CFast 2.0 Adapter 2), XR Capture Drives (requires XR Adapter), SXR Capture Drives (requires SXR Adapter). Note: XR Capture Drive Docks require Codex Production Suite to read XR Capture Drives recorded with ALEXA SXT.
      • Monitor Outputs: 3x MON OUT BNC connector for uncompressed 1.5 G HD-SDI video: 1920 x 1080 (16:9), 4:2:2 YCbCr; legal range HD video at 23.976, 24, 25, 29.97, or 30 fps. Embedded audio, time code, metadata and recording flag.
      • Image Processing: 16 bit linear internal image processing in full ALEXA Wide Gamut/Log C color space. Target output color spaces: Log C, Rec 709 or Rec 2020. An ARRI Look File (ALF-2) containing the name of the target color space, CDL values and a 3D LUT can be applied to ProRes or MON OUT images and will be saved in metadata. Optional horizontal image mirroring.
      • Audio: 1x XLR 5 pin AUDIO IN for 2 channel, line level, balanced audio. 24 bit/48 kHz A/D conversion. Uncompressed PCM audio recording to ARRIRAW, ProRes and embedded in all HD-SDI outputs. Only available with same project/sensor speed at 23.976, 24, 25, 29.97 and 30 fps. Max of 2.5 dBm output from AUDIO OUT headphones connector.
      • Connectors: 1x media slot, 3x BNC monitoring out HD-SDI 1.5G MON OUT, 1x XLR 5-pin analog audio in AUDIO IN, 1x BNC return video in HD-SDI 1.5G RET/SYNC IN, 1x LEMO 16-pin external accessory interface EXT, 1x Fischer 2-pin 24 V power in BAT, 2x Fischer 3-pin 24 V remote start and accessory power out RS, 1x LEMO 2-pin 12 V accessory power out 12 V, 1x LEMO 5-pin timecode in/out TC, 1x TRS 3.5 mm headphone mini stereo jack AUDIO OUT, 1x custom LEMO 16-pin electronic viewfinder EVF, 1x custom LEMO 10-pin Ethernet with 24 V power ETHERNET, BNC connectors are designed for fast exchange without camera disassembly. These connectors require a special tool (ALEXA Plus BNC Removal Tool, K5.72915.0).
      • SD Card: For importing and storing of ARRI Look Files, camera set up files, frame line files and user pixel masks. Stores frame grabs in ARRIRAW (.ari, 12 bit), TIFF (.tif, 16 bit), DPX (.dpx, 10 bit) or JPEG (.jpg, 8 bit) format. Stores log files. Also used for installing Software Update Packets (SUPs).
  • ARRI AMIRA

    • ARRI AMIRA

      ARRI proudly introduces AMIRA, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your companion.

      Features:

      • Sensor: 35mm format ARRI ALEV III CMOS (28.17x18.13)
      • Sensor Pixel Count: 3414 x 2198: 2880 x 1620 (HD 16:9), 2868 x 1612 (2K 16x9), for monitoring with surround area: 3168 x 1772 (HD), 3154x1764 (2K)
      • Recording Pixel Count: 1920x1080 ProRes HD and HD ouputs, 2048 x 1152 ProRes 2K
      • Lens Mounts: PL mount w/ Hirose connector and LDS, B4 mount w/ Hirose connector, EF mount
      • Shutter: Electronic shutter, 5.0° to 356.0°
      • Exposure Index: EI 160 to EI 3200 (EI 800 base sensitivity)
      • Exposure Latitude: 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
      • Audio Recording: 4 channels, 24 bit PCM, 48 kHz
      • Integrated motorized ND Filters: FSND 0.6, 1.2, 2.1
      • Sound Level: < 20 dB(A)
      • Weight: ~ 4.1 kg/9.2 lbs (camera body with PL Lens mount)
      • Dimensions: Length: 309mm/12.1", width: 139 mm/5.4" , height: 149mm/5.8" (camera body with PL lens mount)
      • Environmental: '-20°C to +50°C (-4°F to +122°F)
      • Viewfinder: AMIRA Multi Viewfinder MVF-1 (OLED and LCD)
      • Outputs Video: 2x HD-SDI out 1.5G, 3G and 6G: uncompressed HD/UHD video with embedded audio and metadata***embedded audio only in 1,5G and 3G
      • Outputs Audio: 3,5mm headphone jack, Bluetooth audio
      • Outputs Power: Hirose 12pin (for ENG type zoom lenses); 12V: D-tab, Hirose 4pin, Lemo 2pin; 24V: RS 3pin
      • Inputs: Genlock, HD-SDI, Timecode (In and Output), all BNC
      • Other Interfaces: USB 2.0: For importing and storing AMIRA Look Files, user set up files, frame line files and feature license keys. Stores captured still image formats in DPX (.dpx, 10 bit) or JPEG (.jpg, 8 bit) format. Stores log files. Also used for installing Software Update Packets (SUPs.; Ethernet LAN RJ-45 for camera remote control.
      • Recording Media: CFast 2.0 memory cards
      • Recording Formats: HD 1920x1080 (interlaced & progressive), 2K 2048x1152, 4K UHD 3840x2160
      • Recording Framerates: 0,75 - 200 Fps (progressive) 0,75 - 60 Fps with 4K UHD
      • Recording Codecs (w/ embedded audio & metadata): ProRes 4444, 422 (HQ), 422, 422 (LT)
      • Rec709/LogC: Rec709
      • Looks: 3 fix Looks (in camera adjustable)
      • Adjustable image parameters: Knee, Gamma, Saturation, Black Gamma, Saturation by Hue
      • Import of custom 3D LUTs: Import of custom 3D LUTs
      • Focus and exposure control: Peaking, Zebra, False color
      • Whitebalance: Auto WB, Dynamic auto tracking WB
      • Audio monitoring: Headphone output (mini jack)Headphone output (mini jack), Bluetooth audio monitoring
      • Pre Record function: Pre Record function
  • Sony PMW-F55

    • Sony PMW-F55

      The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels Sony 4K image sensor, incorporating a revolutionary electronic global shutter to eliminate rolling shutter distortions. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. The F55 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attach a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. Need Sony F55 for EFP/Doc-style shooting? Add the Sony CBK-55BK EFP Buildup kit.

      Features:

      • SENSOR SPECS
      • Sensor Type: Super 35mm equivalent single-chip CMOS with global shutter
      • Pixels: total: 11.6 MP, Effective: 8.9 MP
      • Sensitivity: Luminance: 2000 lx, 89.9% reflectance, Video Gamma: T11@24p (3200K light source), S-Log2 Gamma: ISO 1250 (D55 Light source)
      • Dynamic Range: 14 stops
      • Signal to Noise Ratio: 57dB (Video Gamma, 24p, Noise Suppression OFF)
      • RECORDING SPECS
      • Video Recording Format: MPEG-2 Long GOP, HD 422 mode: CBR, 50 Mbps max, MPEG-2 422P@HL
      • Audio Recording Format: Linear PCM (2 ch, 24-bit, 48-kHz)
      • Recording Modes: XAVC 4K: 4096 x 2160 at 23.98p, 25p, 29.97p, 50p, 59.94p, XAVC QFHD: 3840 x 2160 at 23.98p, 25p, 29.97p, 50p, 59.94p, XAVC 2K: 2048 x 1920 at 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, XAVC HD: 1920 x 1080 at 23.98p, 25p, 29.97p, 50p, 59.94p, MPEG4 SStP: 1920 x 1080, 23.98p/24p/25p/29.97p, MPEG2 HD: 1920 x 1080 at 50i, 59.94i, 23.98p, 25p, 29.97p, MPEG2 HD: 1280 x 720 at 50p, 59.94p
      • Shutter Speed: 1/24s to 1/6,000s
      • Shutter Angle: 4.2 - 360°(electrical shutter)
      • Slow Shutter: 2, 3, 4, 5, 6, 7, and 8 frame accumulation
      • Slow & Quick Motion Function: XAVC 4K/QFHD: 1-60p (NTSC), XAVC 4K/QFHD: 1-50p (PAL), XAVC HD/2K: 1-180p (NTSC), 23.98p/29.97p with option, XAVC HD/2K: 1-150p (PAL), 25p with option, XAVC HD: 1-60p (NTSC), XAVC HD: 1-50p (PAL)
      • White Balance: Preset (3200K, 4300K, 5500K), Memory, ATW
      • Gain: -3, 0, 3, 6, 9, 12, 18 dB, AGC
      • Gamma Curve: Standard (x6), HG1, HG2, HG3, HG4, HG7 and HG8, S-Log2 Gamma
      • INTERFACE SPECS
      • Memory Cards: SxS (x2, ExpressCard 34 slots), SD card slot (x1)
      • Video Output: HD-Y or HD Sync (tri-level) V1.0, Analog Composite (VUP)
      • HD-SDI Output: HD mode: SDI 1/2 Line Output, SDI 3/4 Monitor Output (character on/off), 4K mode: SDI 1/2/3/4 Line Output (character on/off), HD-SDI/3G-SDI switchable
      • Timecode: TC IN/OUT switchable (x1)
      • Genlock: BNC input (x1)
      • HDMI: A Type output (x1)
      • Audio: Input: XLR-type 3-pin with Line/Mic/Mic +48V/AES/EBU selectable (x2, female), Output: phono jack (CH-1, CH-2), Headphone: Stereo mini jack (x1), Speaker: monaural
      • USB: USB device, Mini-B (x1), USB host, type-A (x1)
      • Wi-Fi: USB host, type-A (x1)
      • DC Output: 4-pin (x1), 11 V to 17 V DC (MAX 2.0A) w/ battery adapter
      • Remote: 8-pin (x1)
      • Lens Mount: FZ-mount, PL-mount (with adapter)
      • Built-in Filters: Clear, 0.9 (1/8 ND), 1.8 (1/64 ND)
      • Power Requirements: DC 12 V (11 V to 17.0 V)
      • Power Consumption: Approx. 25 W (while recording XAVC 4K 60p, EVF Off, LCD monitor Off, 4K SDI On)
      • Operating Temperature: 32 ~ 104°F (0 ~ 40°C)
      • Dimensions: Without protrusions: 7.13 x 7.88 x 12.25" (15.1 x 18.9 x 21 cm)
      • Weight: 4.88 lb (2.2 kg) body only
  • Sony PXW-FS7

    • Sony PXW-FS7

      Sony’s PXW-FS7 XDCAM Super 35 Camera System is a flexible 4K camera system. It features a Super 35mm size sensor that allows you to capture images with cinematic depth of field. The camera’s E-mount is machined from stainless steel and allows you to use E-mount lenses or with the use of optional adapters to accept most 35mm lenses including PL, EF, Leica, and Nikon. The camera can capture footage to optional on board XQD media cards in either UHD at up to 60 FPS or HD at up to 180 FPS. the camera can capture 4K (4096 x 2160) images and send the signal out over its SDI or HDMI connectors.

      Features:

      • Imager: Super 35mm Single-Chip Exmor CMOS
      • Effective Pixels: 17:9 4096 (H) x 2160 (V), 16:9 3840 (H) x 2160 (V)
      • Signal to Noise Ratio: 57 dB (Y)
      • Sensitivity: 2000 lx, 89.9% reflectance T14 (3840 x 2160/23.98p mode 3200K) ISO Sensitivity ISO 2000 (S-Log3 Gamma D55 Light source)
      • Minimum Illumination: 0.7 lux: +18dB,23.98P,Shutter OFF,ND Clear, F1.4
      • White Balance: Preset, Memory A, Memory B (1500K-50000K)/ATW
      • Signal System: NTSC / PAL
      • LCD Monitor: 3.5" / 8.8 cm, Approx: 1.56M dots
      • Shutter Speed: 1/3 to 1/9000 of a sec
      • Media: 2x XQD, 1x SD (for configuration data only)
      • Record Formats: XAVC-I QFHD MPEG-4 H.264/AVC 59.94P CBG, bit rate 600 Mb/s 50P CBG, bit rate 500 Mb/s 29.97P CBG, bit rate 300 Mb/s 23.98P CBG, bit rate 240 Mb/s 25P CBG, bit rate 250 Mb/s, XAVC-I HD MPEG-4 H.264/AVC 59.94P VBR, maximum bit rate 222 Mb/s 50P VBR, maximum bit rate 185 Mb/s 59.94i VBR, maximum bit rate 111 Mb/s 50i VBR, maximum bit rate 112 Mb/s 29.97p VBR, maximum bit rate 111 Mb/s 23.98p VBR, maximum bit rate 89 Mb/s 25p VBR, maximum bit rate 112 Mb/s, XAVC-L QFHD MPEG-4 H.264/AVC 59.94p/50p mode: VBR, maximum bit rate 150 Mb/s 29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s, XAVC-L HD 50 MPEG-4 H.264/AVC VBR, maximum bit rate 50 Mb/s, XAVC-L HD 35 MPEG-4 H.264/AVC VBR, maximum bit rate 35 Mb/s, XAVC-L HD 25 MPEG-4 H.264/AVC VBR, maximum bit rate 25 Mb/s, MPEG-2 Long GOP CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL, XAVC-I QFHD 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p, XAVC-I HD 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p, XAVC-L QFHD 50 3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p XAVC-L 35 1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p, MPEG-2 Long GOP 1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p 1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
      • Slow & Quick Motion Function: XAVC-I mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p), XAVC-I mode 1920 x 1080: 1 to 180 frames (59.94p, 29.97p, 23.98p), XAVC-I mode 1920 x 1080: 1 to 150 frames (50p, 25p), XAVC-L mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p), XAVC-L mode 1920 x 1080: 1 to 120 frames (59.94p, 50p, 29.97p, 23.98p, 25p)
      • Audio Inputs: 2 x 3-pin XLR, Line/mic/mic +48, Mic Reference: -40. -50. -60 dBu
      • Video Outputs: 2x BNC HD/3G-SDI, SMTPE292M/424M/425M, 1x HDMI 2.0 Type A, USB device miniB
      • Power Consumption: Approx. 19 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
      • Weight: 4.4 lb / 2.0 kg: Body Only
  • Sony NEX-FS700

    • Sony NEX-FS700

      The NEX-FS700 is equipped with a new 4K Exmor Super 35 CMOS sensor (Total 11.6 million pixels) capable of cranking at up to 960 frames per second. This high-speed readout chip is optimized for motion picture shooting, producing exceptional image fidelity with high sensitivity, low noise and minimal aliasing.

      Features:

      • Imager: 4K Exmor Super 35 CMOS Image Sensor (11.6MP)
      • Effective Pixels: 4K: 8,900,000 pixels, HD: 8,300,000 pixels, Photo: 8,400,000 pixels (16x9), 7,100,000 pixels (4x3)
      • Aspect Ratio: 4K: 17:9, HD: 16:9, Photo: 16:9 or 3:2
      • Sensitivity: 0 db, 3 db, 6 db, 9 db, 12 db, 15 db, 18 db, 21 db, 24 db, 27 db, 30 db
      • ND Filter Switching Mechanism: Clear, 1/4 = ND.6 (2 stops), 1/16 = ND1.2 (4 stops), 1/64 = ND1.8 (6 stops)
      • White Balance: Auto, One Push AB, Indoor (3200K), Outdoor (5800K ± 7 positions), Manual WB Temperature (2300 to 15000K, 100K steps)
      • Signal System: 60/50Hz (NTSC/PAL)
      • LCD Monitor: 3.5" (8.9 cm)
      • Screen Resolution: Approx. 921,000 dots (1920 x 480)
      • Shutter Speed: Auto: 1/60 to 1/2000 30p: 1/30 to 1/2000 24p: 1/48 to 1/2400, Manual: 24p/30p/60p/60i: 1/3 to 1/10000
      • Media: Flash Memory Unit (HXR-FMU128), Memory Stick PRO Duo (Mark2 only), Memory Stick PRO-HG Duo, SD/SDHC/SDXC Memory Card
      • Record Formats: PS: max 28 Mbps, 1920 x 1080/60p, 50p (16:9), FX: max 24 Mbps, 1920 x 1080/60i, 50i, 30p, 25p, 24p (16:9) 1280 x 720/60p, 50p (16:9), FH: approx. 17 Mbps (average), 1920 x 1080/60i, 50i, 30p, 25p, 24p (16:9) 1280 x 720/60p, 50p (16:9), HQ: approx. 9 Mbps (average), 1440 x 1080/60i, 50i (16:9), LP approx. 5 Mbps (average), 1440 x 1080/60i, 50i (16:9), HQ: approx. 9 Mbps (average), 720 x 480/60i, 720 x 576/50i (16:9, 4:3), 12-bit 2K and 4K RAW available via the HXR-IFR5 Interface Unit and AXS-R5 Recorder
      • Video Record Formats: HD video: MPEG-4 AVC/H.264 AVCHD, SD video: MPEG-2 PS
      • Slow & Quick Motion Function: 60 Hz System Reduced resolution: 960 fps (19 second burst) 480 fps (9 second burst), Full 1920x1080p: 240 fps (8 second burst) 120 fps (16 second burst) 60 fps 30 fps 15 fps 8 fps 4 fps 2 fps 1 fps, 50 Hz System Reduced resolution: 800 fps (23 second burst) 400 fps (12 second burst), Full 1920x1080p: 200 fps (9 second burst) 100 fps (19 second burst) 50 fps 25 fps 12 fps 6 fps 3 fps 2 fps 1 fps
      • Audio Inputs: 2 x XLR 3-pin (female), LINE/MIC/MIC selectable with +48V phantom power)
      • Video Outputs: 1x 3G/HD-SDI (BNC connector), sends 4K/2K 12-Bit RAW data to HXR-IFR5 Interface Unit, 1x HDMI 1.4 Type A, 3x RCA via Mini-D jack
      • Power Consumption: 5.6w
      • Weight: 3.25 lb (1.47 kg)
  • Canon EOS C300 EF

    • Canon EOS C300 EF

      Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon’s existing line-up of EF lenses. The stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets. The EOS C300 offers compatibility with virtually every cinema lens in production today, while its compact and modular design and compatibility with third-party accessories enable it to meet virtually any production need while keeping costs down. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy. With an entire support infrastructure designed to help you get the most from your equipment before, during and after production, the EOS C300 is ready to go to work.

      Features:

      • SENSOR SPECS
      • Effective Pixels: 3840 x 2460 pixels; Approx. 8.29 megapixels
      • Total Pixels: 4216 x 2340 pixels; Approx. 9.86 megapixels
      • Sensor Type: CMOS
      • Sensor Size: Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 µm cell pitch
      • Scanning System: Progressive
      • Filter: RGB Primary Color Filter (Bayer Array)
      • Imaging Processor: Digic DV III
      • Lens Mount: EF Mount
      • ND Filter: Mechanical ND filter system with option of clear, 1/64. 1/16, and 1,4
      • Iris Dial: Located on camera body for use with EOS EF Lenses with electronic Iris control
      • Peripheral Illumination Correction Available
      • Exposure Modes: Manual
      • Gain: Normal Setting -6dB to 30 dB, Fine Setting 0dB to 24 dB in 0.5 dB increments
      • ISO: 320 to 80,000
      • Shutter Modes: 3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan
      • Shutter Speed Range: 59.94i/59.94p: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 Hz -250.70 Hz, 29.97p: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15; CS: 29.97 Hz - 250.70 Hz, 23.98p/24p: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.97 Hz - 250.70 Hz, 50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.70 Hz, 25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.70 Hz
      • Shutter Angle Settings: 59.94i/59.94p: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25, 29.97p: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25, 23.98p/24p: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25, 50i/50p: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25, 25p: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25
      • Iris (Aperture) Range: Lens dependent
      • RECORDING SPECS
      • Signal System: NTSC and PAL
      • Compression: 8 Bit MPEG-2 Long GOP
      • Maximum Bit rate: 50Mbps (CBR)
      • Recording Mode: 50 Mbps (CBR) 4:2:2 422P@HL, 1920x1080, 59.94i/29.98p/23.98p, 50i/25p, True 24 (24.00)
      • Recording Mode: 50 Mbps (CBR) 4:2:2 422P@HL, 1280 x 720, 59.94p/29.98p/23.98p, 50p/25p, True 24 (24.00)
      • Recording Mode: 35Mbps (VBR) 4:2:0 MP@HL, 1920 x1080 or 1440 x 1080, 59.94i/29.98p/23.98p, 50i/25p
      • Recording Mode: 35Mbps (VBR) 4:2:0 MP@HL, 1280 x 720, 59.94p/29.98p/23.98p, 50p/25p
      • Recording Mode:25 Mbps (CBR) 4:2:0 MP@H14, 1440 x1080, 59.94i/29.98p/23.98p, 50i/25p
      • Recording Time: 2GB CF Card: 50Mbps = 5 minutes, 35Mbps = 5 minutes, 25Mbps = 10 minutes
      • Recording Time: 4GB CF Card: 50 Mbps = 10 minutes, 35 Mbps = 10 minutes, 25Mbps = 20 minutes
      • Recording Time: 8GB CF Card: 50 Mbps = 8 minutes, 35Mbps = 25 minutes, 25Mbps = 40 minutes
      • Recording Time: 16GB CF Card: 50 Mbps = 40 minutes, 35Mbps = 55 minutes, 25Mbps = 80 minutes
      • Recording Time: 32GB CF Card: 50 Mbps = 80 minutes, 35Mbps = 110 minutes, 25Mbps = 155 minutes
      • Recording Time: 64GB CF Card: 50 Mbps = 160 minutes, 35Mbps = 225 minutes, 25Mbps = 310 minutes
      • Recording Media: CF Card (Type 1 Only); 2 Slots (Movie Files); UDMA supported SD Card (Still Images (JPEG), Custom Picture Data*, Clip Metadata, and menu settings); SD/SDHC/SDXC Supported; MMC Cards are not supported *Custom Picture Data and settings is not compatible with data from others Canon models
      • File Format: MXF (OP-1a)
      • File System: FAT 32
      • Maximum Clip Number: 999 (per media)
      • AUDIO SPECS
      • Recording Format: Linear PCM; 2-Channel; 16-Bit; 48 kHz
      • Built-in Microphone: None
      • External Audio Inputs: 2 - XLR inputs (Auto and Manual level settings), External microphone terminal: (3.5 mm diameter)
      • Recording Channel Selection This is used to set the allocation of the audio channels: CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel, CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel., CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel., ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.
      • XLR Mic Trimming: Available; -12dB, -6 dB, 0dB or +12 dB
      • Limiter: Available
      • Recording Level Adjustment Range: - Infinity to +18dB
      • Phantom Power: Available; +48V
      • Headphone Adjustment: 16 Settings; Volume is muted at lowest setting
      • Built-in Speaker: None
      • 1KHz Tone: Available; -12, -18, or -20 dB
      • Dimensions: C300 (Body plus Thumb Rest): Approx. 5.2 x 7.0 x 6.7 in (133 x 179 x 171 mm), C300 (Body plus Grip): Approx. 6.9 x 7.0 x 6.7 in (174 x 179 x 171 mm)
      • Weight: Approx. 3.2 lb. (1430 g) body only
      • Temperature: Performance requirements: 0°C to 40°C, 85% (relative humidity)